The Public Domain Manifesto

printable and editable version


The Public Domain in the 21st Century
The Public Domain
Voluntary commons and user prerogatives
General Principles
General Recommendations
Sign the Manifesto


"Le livre, comme livre, appartient à l’auteur, mais comme pensée, il appartient—le mot n’est pas trop vaste—au genre humain. Toutes les intelligences y ont droit. Si l’un des deux droits, le droit de l’écrivain et le droit de l’esprit humain, devait être sacrifié, ce serait, certes, le droit de l’écrivain, car l’intérêt public est notre préoccupation unique, et tous, je le déclare, doivent passer avant nous." (Victor Hugo, Discours d’ouverture du Congrès littéraire international de 1878, 1878) 

"Our markets, our democracy, our science, our traditions of free speech, and our art all depend more heavily on a Public Domain of freely available material than they do on the informational material that is covered by property rights. The Public Domain is not some gummy residue left behind when all the good stuff has been covered by property law. The Public Domain is the place we  quarry the building blocks of our culture. It is, in fact, the majority of our culture." (James Boyle, The Public Domain, p.40f, 2008)  

The public domain, as we understand it, is the wealth of information that is free from the barriers to access or reuse usually associated with copyright protection, either because it is free from any copyright protection or because the right holders have decided to remove these barriers. It is the basis of our self-understanding as expressed by our shared knowledge and culture. It is the raw material from which new knowledge is derived and new cultural works are created. The Public Domain acts as a protective mechanism that ensures that this raw material is available at its cost of reproduction - close to zero - and that all members of society can build upon it. Having a healthy and thriving Public Domain is essential to the social and economic well-being of our societies. The Public Domain plays a capital role in the fields of education, science, cultural heritage and public sector information. A healthy and thriving Public Domain is one of the prerequisites for ensuring that the principles of Article 27 (1) of the Universal Declaration of Human Rights ('Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.') can be enjoyed by everyone around the world.

The digital networked information society has brought the issue of the Public Domain to the foreground of copyright discussions. In order to preserve and strengthen the Public Domain we need a robust and up-to-date understanding of the nature and role of this essential resource. This Public Domain Manifesto defines the Public Domain and outlines the necessary principles and guidelines for a healthy Public Domain at the beginning of the 21st century. The Public Domain is considered here in its relation to copyright law, to the exclusion of other intellectual property rights (like patents and trademarks), and where  copyright law is to be understood in its broadest sense to include economic and moral rights under copyright and related rights (inclusive of neighboring rights and database rights). In the remainder of this document copyright is therefore used as a catch-all term for these rights. Moreover, the term 'works' includes all subject-matter protected by copyright so defined, thus including databases, performances and recordings. Likewise, the term 'authors' includes photographers, producers, broadcasters, painters and performers. 

The Public Domain in the 21st Century

The Public Domain as aspired to in this Manifesto is defined as cultural material that can be used without restriction, absent copyright protection. In addition to works that are formally in the public domain, there are also lots of valuable works that individuals have voluntarily shared under generous terms creating a privately constructed commons that functions in many ways like the public domain. Moreover, individuals can also make use of many protected works through exceptions and limitations to copyright, fair use and fair dealing. All of these sources that allow for increased access to our  culture and heritage are important and all need to be actively maintained in order for society to reap the full benefit of our shared knowledge and culture.

The Public Domain

The structural Public Domain lies at the core of the notion of the Public Domain and is comprised of our shared knowledge, culture and resources that can be used without copyright restrictions by virtue of current law. Specifically, the structural Public Domain is made up of two different classes of material:

1.    Works of authorship where the copyright protection has expired. Copyright is a temporary right granted to authors. Once this temporary protection has come to its end, all legal restrictions cease to exist, subject in some countries to the author's perpetual moral rights. 


2.    The essential commons of information that is not covered by copyright. Works that are not protected by copyright because they fail the test of originality, or are excluded from protection (such as data, facts, ideas, procedures, processes, systems, methods of operation, concepts, principles, or discoveries, regardless of the form in which they are described, explained, illustrated, or embodied in a work, as well as laws and judicial and administrative decisions). This essential commons is too important for the functioning of our societies to be burdened with legal restrictions of any nature even for a limited period.


The structural Public Domain is an historically grown balance to the rights of authors protected by copyright and it is essential to the cultural memory and knowledge base of our societies. In the second half of the 20th century all two elements identified here have been strained by the extension of the term of copyright protection and the introduction of more copyright-like regimes of legal protection.

Voluntary commons and user prerogatives

In addition to this structural core of the Public Domain, there are other essential sources that enable individuals to freely interact with copyright protected works. These represent the "breathing space" of our current culture and knowledge, ensuring that copyright protection does not interfere with specific requirements of society and the voluntary choices of authors. While these sources  increase access to protected works, some of them make this access conditional on certain forms of use or restrict access to certain classes of users:

1.    Works that are voluntarily shared by their rights holders. Creators can remove use restrictions from their works by either freely licensing them, or by using other legal tools to allow others to use their works without restrictions, or by dedicating them to the Public Domain. For free licencing definitions see the definition of free software, the definition of free cultural works, and the open knowledge definition for reference.


2.    The user prerogatives created by exceptions and limitations to copyright, fair use and fair dealing. These prerogatives are an integral part of the Public Domain. They ensure that there is sufficient access to our shared culture and knowledge, enabling the functioning of essential social institutions and enabling social participation of individuals with special needs.

Taken together, the public domain, the voluntary sharing of works and exceptions and limitations to copyright, fair use and fair dealing go a long way to ensure  that everyone has access to our shared culture and knowledge in order to facilitate innovation and cultural participation for the benefit of the entire society. It is therefore important that the Public Domain in both its incarnations is actively maintained so that it can continue to fulfill this key role in this period of rapid technological and social change.

General Principles

In a period of rapid technological and social change the Public Domain fulfills an essential role in cultural participation and digital innovation, and therefore needs to be actively maintained. Active maintenance of the Public Domain needs to take into account a number of general principles. The following principles are essential to preserve a meaningful understanding of the Public Domain and to ensure that the Public Domain continues to function in the technological environment of the networked information society. With regard to the structural Public Domain these are as follows:

1.    The Public Domain is the rule, copyright protection is the exception.  Since copyright protection is granted only with respect to original forms of expression, the vast majority of data, information and ideas produced worldwide at any given time belongs to the Public Domain. In addition to information that is not eligible for protection, the Public Domain is enlarged every year by works whose term of protection expires. The combined application of the requirements for protection and the limited duration of the copyright protection contribute to the wealth of the Public Domain so as to ensure access to our shared culture and knowledge.  


2.    Copyright protection should last only as long as necessary to achieve a reasonable compromise between protecting and rewarding the author for his intellectual labour and safeguarding the public interest in the dissemination of culture and knowledge. From neither the perspective of the author nor the general public do any valid arguments exist (whether historical, economic, social or otherwise) in support of an exceedingly long term of copyright protection. While the author should be able to reap the fruits of his intellectual labour, the general public should not be deprived for an overly long period of time of the benefits of freely using those works.


3.    What is in the Public Domain must remain in the Public Domain. Exclusive control over Public Domain works must not be reestablished by claiming exclusive rights in technical reproductions of the works, or using technical protection measures to limit access to technical reproductions of such works.


4.    The lawful user of a digital copy of a Public Domain work should be free to (re-)use, copy and modify such work. The Public Domain status of a work does not necessarily mean that it must be made accessible to the public. The owners of physical works that are in the Public Domain are free to restrict access to such works. However once access to a work has been granted then there ought not be legal restrictions on the re-use, modification or reproduction of these works.


5.    Contracts or technical protection measures that restrict access to and re-use of Public Domain works must not be enforced. The Public Domain status of a work guarantees the right to re-use, modify and reproduce. This also includes user prerogatives arising from exceptions and limitations, fair use and fair dealing, ensuring that these cannot be limited by contractual or technological means.


In addition, the following principles are at the core of the voluntary commons and user prerogatives described above:

1.    The voluntary relinquishment of copyright and sharing of protected works are legitimate exercises of copyright exclusivity. Many authors entitled to copyright protection for their works do not wish to exercise these rights to their full extent or wish to relinquish these rights altogether. Such actions, provided that they are voluntary, are a legitimate exercise of copyright exclusivity and must not be hindered by law, by statute or by other mechanisms including moral rights. 


2.    Exceptions and limitations to copyright, fair use and fair dealing need to be actively maintained to ensure the effectiveness of the fundamental balance of copyright and the public interest. These mechanisms create user prerogatives that constitute the breathing space within the current copyright system. Given the rapid pace of change in both technology and society it is important that they remain capable of ensuring the functioning of essential social institutions and the social participation of individuals with special needs. Therefore, exceptions and limitations to copyright, fair use and fair dealing should be construed as evolutionary in nature and constantly adapted to account for the public interest.

In addition to these general principles, a number of issues relevant to the Public Domain must be addressed immediately. The following recommendations are aimed at protecting the Public Domain and ensuring that it can continue to function in a meaningful way. While these recommendations are applicable across the spectrum of copyright, they are of particular relevance to education, cultural heritage and scientific research.

General Recommendations

1.    The term of copyright protection should be reduced. The excessive length of copyright protection combined with an absence of formalities is highly detrimental to the accessibility of our shared knowledge and culture. Moreover, it increases the occurrence of orphan works, works that are neither under the control of their authors nor part of the Public Domain, and in either case cannot be used. Thus, for new works the duration of copyright protection should be reduced to a more reasonable term.


2.   Any change to the scope of copyright protection (including any new definition of protectable subject-matter or expansion of exclusive rights) needs to take into account the effects on the Public Domain. Any change of the scope of copyright protection must not be applied retroactively to works already subject to protection. Copyright is a time-limited exception to the Public Domain status of our shared culture and knowledge. In the 20th century its scope has been significantly extended, to accommodate the interests of a small class of rights holders at the expense of the general public. As a result, most of our shared culture and knowledge is locked away behind copyright and technical restrictions.  We must ensure that this situation will not be worsened at a minimum, and be affirmatively improved in the future.


3.    When material is deemed to fall in the structural Public Domain in its country of origin, the material should be recognized as part of the structural Public Domain in all other countries of the world. Where material in one country is not eligible for copyright protection because it falls under a specific copyright exclusion, either because it does not meet the criterion of originality or because the duration of its protection has lapsed, it should not be possible for anyone (including the author) to invoke copyright protection on the same material in another country so as to withdraw this material from the structural Public Domain.


4.    Any false or misleading attempt to misappropriate Public Domain material must be legally punished. In order to preserve the integrity of the Public Domain and protect users of Public Domain material from inaccurate and deceitful representations, any false or misleading attempts to claim exclusivity over Public Domain material must be declared unlawful.


5.    No other intellectual property right must be used to reconstitute exclusivity over Public Domain material. The Public Domain is integral to the internal balance of the copyright system. This internal balance must not be manipulated by attempts to reconstitute or obtain exclusive control via regulations that are external to copyright.


6.    There must be a practical and effective path to make available 'orphan works' and published works that are no longer commercially available (such as out-of-print works) for re-use by society. The extension of the scope and duration of copyright and the prohibition of formalities for foreign works have created a huge body of orphan works that are neither under the control of their authors nor part of the Public Domain. Given that such works under current law do not benefit their authors or society, these works need to be made available for productive re-use by society as a whole. 


7.    Cultural heritage institutions should take upon themselves a special role in the effective labeling and preserving of Public Domain works. Not-for-profit cultural heritage organizations  have been entrusted with preservation of our shared knowledge and culture for centuries. As part of this role they need to ensure that works in the Public Domain are available to all of society, by labeling them, preserving them and making them freely available. 


8.    There must be no legal obstacles that prevent the voluntary sharing of works or the dedication of works to the Public Domain. Both are legitimate exercises of exclusive rights granted by copyright and both are critical to ensuring access to essential cultural goods and knowledge and to respecting authors' wishes.


9.    Personal non-commercial uses of protected works must generally be made possible, for which alternative modes of remuneration for the author must be explored. While it is essential for the self-development of each individual that he or she be able to make personal non-commercial uses of works, it is just as essential that the position of the author be taken into consideration when establishing new limitations and exceptions on copyright or revising old ones.

1. If you want to sign the Manifesto in your name or in the name of your organization (and you are authorized to do so), please send an email to coordinator [at] communia-project [dot] eu. Please, include in your email: in the case you are signing as an individual your first and second name and eventualy an organisation, in the case you are signing as an organisation the precise name of your organization and the URL of its website, your first and last name and your position in the organization. Please, also attach an image file with the logo of your organization (or the related URL)

2. If you encounter any problem with the web site or if you see an error in your signature, please send an email to info [at] nexa.polito [dot] it

Signatures of the Public Domain Manifesto



Philippe Aigrain Sopinspace
Roland Alton-Scheidl osAlliance
Bodó Balázs Budapest University of Technology
Bożena Bednarek-Michalska Nicolaus Copernicus University
Lorenzo Benussi Università di Torino
Evangelia Berdou University of Sussex
Maja Bogataj Jancic Intellectual Property Institute
Daniel Boos Digitale Allmend
Danièle Bourcier CNRS - CERSA
James Boyle Duke University
Ayhan Bozkurt Ozyegin University
Maarten Brinkerink
Gülçin Cribb Ozyegin University
Vincenzo D'Andrea Università di Trento
Juan Carlos De Martin Politecnico di Torino
Melanie Dulong de Rosnay Politecnico di Torino
Séverine Dusollier University of Namur
Özlem Efe Ozyegin University
Urs Gasser Harvard University
Jonathan Gray Open Knowledge Foundation
Andres Guadamuz University of Edinburgh
Lucie Guibault University of Amsterdam
Justyna Hofmokl ICM UW
Bernt Hugenholtz University of Amsterdam
Jennifer Jenkins Duke University
Paul Keller Knowledgeland
Kari-Hans Kommonen Aalto University
Ignasi Labastida University of Barcelona
Ronaldo Lemos CTS-FGV
Lawrence Lessig Harvard University
Wolf Ludwig Digitale Allmend
Colin MacLay Harvard University
Sanna Marttila UIAH
Tomislav Medak Multimedia Institute
Angelo Raffaele Meo Politecnico di Torino
Federico Morando Politecnico di Torino
Marcello Mustilli AFACE
Pedro Oliveira Universidade Católica Portuguesa
Johan Oomen
Pedro Paranaguá CTS-FGV
Patrick Peiffer Luxcommons
Mario Pena Safecreative
Carlos Affonso Pereira de Souza CTS-FGV
Diane Peters Creative Commons
Rufus Pollock University of Cambridge and the Open Knowledge Foundation
Anjariitta Rantanen Ozyegin University
Manon Ress KEI
Marco Ricolfi Università di Torino
Stefano Rodotà NEXA Center for Internet & Society
Alessandro Rossi Università di Trento
Klaas Schmidt EEAR
Elizabeth Stark iCommons
Oguz Sunay Ozyegin University
Wojtek Sylwestrzak ICM UW
Alek Tarkowski ICM UW
Maurizio Teli Università di Trento
Silvia Toccoli Università di Trento
Prodromos Tsiavos London School of Economics

Greg Grossmeier University of Michigan
Rafik Dammak University of Tokyo
Richard B McMillan
Mike Linksvayer
Timothy Vollmer
Flavia Marzano UnaRete
Stéphane Thibault Université du Québec à Montréal
Marco Scialdone Link Campus University
Elvira Berlingieri
Carl Malamud Public.Resource.Org
Robin Millette
Christian Villum
Paulo Querido
João Oliveira
Tito de Morais Projecto MiudosSegurosNa.Net
Gino Bisogni
Luís Reis ARQUIVALETRAS – Soluções Documentais, Prevenção, Conservação e Restauro, Lda.
Miguel Caetano
João Hartley
Manuela Foley
Artur Correia advogado
Joana Morais
armando santos
José Murilo Ministry of Culture - Brazil
Preston Austin
Paul A David Stanford University & UNU-MERIT (Maastricht) & Ecole Polytechnique (Paris)
Christine Prefontaine Artefatica
Sridhar Gutam Indian Agricultural Research Institute
Sam Johnston
Olivier Berger
Mathias Klang University of Gothenburg
Felix Pleșoianu
Peter Troxler
Philippe Perreaux Digitale Allmend
Nat Muller
Mikko Välimäki Helsinki University of Technology
Giampaolo Mancini Trampoline
Andrea Torino Rodriguez
Wietske van den Heuvel
Henrik Moltke
Antti Poikola HILA Open Oy
Zoran Trklja PROCEDURA
Jesper Laugesen University of Copenhagen, Denmark
Ulrik Hogrebe
Nicolas Maleve Constantvzw, association for arts and media, Brussels
Fabio Malagnino Consiglio regionale del Piemonte
Davide d'Atri
fALk Gärtner Prototypen
David David Orban
Nuno Costa
Kranen Hay
Fausto Ferreira
An Mertens Constant
Vito Campanelli University of Naples "L'Orientale"
Mikael Borjesson
Paula Simoes
Diego Acampora Politecnico di Torino
emeric facon
Mário Ramos
Eleonora Pantò CSP
Matthew Tyas
Dominika Czyżak Nicolaus Copernicus University Library
Joris van Hoboken University of Amsterdam
Corline van Es Kennisland
Joanne Maria Pini Conservatorio G. Verdi - Milano
Jens Palsgaard
Monica Barbovschi Babes-Bolyai University, Cluj-Napoca, Romania
Paweł Leszczyński -
Jan Wildeboer
Perline Noisette
Joscelyn Upendran
Stefan Kulk
Tomasz Ganicz Wikimedia Polska
thomassin claude
Deb Platt
Jean-Pierre Laisné OW2
Sage Ross
Luca Cappelletti Infodomestic
Alexandre Boucherot Semio
Hervé Le Crosnier
Dan Jecan Babes-Bolyai University
Kurt Jansson
Tomasz Chabinka
Michał Barciś
CRAEYE Christian Retraité Francais
Julien Béti
Fernando Paiva
Yola de Lusenet
Matei-Eugen Vasile
joy garnett
Morten Juhl-Johansen Zölde-Fejér
Alexander Kazancev
Chad McCullough
Anders Rasmussen
Aline Crédeville École de Bibliothéconomie et des Sciences de l'Information
Irina Rempt
fabio battistetti Chew-Z
Krikorian Gaelle
Josep Rius i Alcaraz
Patrick Genoud State of Geneva
Schindler Mathias Wikipedian
Jack Brighton Illinois Public Media
Patricio Lorente Wikimedia Argentina
Indrek Ibrus Baltic Film and Media School
Ainali Jan
Eric Groom
Mortier Benoit
Jaime D. Rojas Pontificia Universidad Javeriana
Marco ZAMPERINI Value Team S.p.A.
Christiane Schulzki-Haddouti free-lance journalist and sociotechnical researcher
Lila Bailey Creative Commons
Jason Daniels Easton Community Access Television
Emanuele Panigati
Simon Lehrner
Kit Blake Infrae
Robin Gross IP Justice
João Sérgio da Silva Costa
Bob Hammond
Blengino Carlo Avvocato, Torino
Barbana Paolo
Mauro Murgioni
maria elena rapisardi
François Poulain April (France)
Bartoccetti Ettore CIC s.c.r.l.
Abel Garriga Lawyer
Jesper Ordrup
Janusz Bień University of Warsaw
Michael Scharf
Giorgio Pauletto
Paulo Rená da Silva Santarém
Franscesco Girdinelli Graphic Designer 2D/3D
Marinos Papadpoulos Patsis, Papadopoulos, Kaponi & Associates (Attorneys-at-Law)
Brown Joseph
Marco Massarotto HAGAKURE
Francesco Mondora mondora spa
Titti Cimmino MIUR
Nicolaie Constantinescu Kosson
Gianni Lombardi
michele mondora mondora
Simona Forti
Martha Woodmansee Case Western Reserve University
Eric Ezechieli The natural step Italy
Donnie, Hao Dong Fellow at Harvard Berkman Center; Yunnan University (China) Faculty
Andreas Hirsch
Eduardo Villanueva
Peter Suber Berkman Center, Harvard University
Terry Martin Tarlton Law Library, University of Texas School of Law
Sarah Melini
Marc Jarlégand
Tim Bartel Wikimedia Germany
Bob Jolliffe
Luca Bechelli
Heather Morrison Simon Fraser University
Carolina Rossini
Graciela Selaimen Instituto Nupef
Thomas Gideon The Command Line Podcast
M C Patricia Morales University of Leuven
Cosimo Comella
Giuseppe Bilotta
Gabriel Acquistapace Cafelug
Roberto Fiadone Wikimedia Argentina
Marco Formento
Ashar Amar
Benjamin Keele
Stefano Quintarelli
Thomas Gramstad
Gianluca Dettori
Simone Brunozzi
Alain Watier
David Weinberger
Volker Ralf Grassmuck GPOPAI, Universidade de São Paulo
Dario J. Alvarez S, ArquitecturaS
Samuel Klein One Laptop Per Child
Giudice Paolo
Gérard Meunier Éducation Nationale
Scott Leslie Edtechpost
Matthew Rutherford Northshore Skunkworks
Sultan Frédéric Vecam
Marco Calvo Liber Liber,
James Wanless British Columbia Institute of Technology
David Porter
Andrea Lawendel
Patricia Curcio
Julio Corzo Jr. Colegio Americano de Guatemala
Andrea Dell'Amico Officina Metropolis Pub
John Maxwell Simon Fraser University
Vladimir Vasquez La Cueva del Lobo
Hoffman Brigid
Edoardo Batini
Christopher Gabriel Truelite
Tyng-Ruey Chuang Academia Sinica, Taiwan
Esther Wojcicki Creative Commons
Brian Rowe Freedom for IP
Francisco Matias Instituto Superior Técnico - Portugal
Chiaki Hayashi loftwork, Creative Commons
Everton Zanella Alvarenga Wikimedia Brasil
HyoJung Sun
Tony Laidig
Jordan Marlin
Gilbert Dion
Mike Rogers
Max Raschke
Jeremy Malcolm Consumers International
Nelson Cruz
Owen Kelly
Travis Nicholson
Josep Pericas Masip Departament d'Educació - Generalitat de Catalunya
Alexander Wallnoefer Cactus (cultural club Merano - Italy -
Syb Groeneveld
Péter Munkácsi
Alessandro Baffa
Julien Anguenot
Miroslav Mazel
Briand Michel élu municipal à Brest
Marie-Laure Compant la Fontaine IUFM - UCBN Caen
Pål Magnus Lykkja
Jean-Paul Niquet Documentaliste
chris doyle
Marco Tosi LBi Italy
Antonio Casado-Poyales bibliotecario
Alexander Peukert Goethe University Frankfurt am Main
andrea trentini DICo - UniMi
Hugh Gibbons
Franck Briand Enseignant
Marcus Dapp City Government of Munich
Daniele Orlandi Utility Line Italia Srl
Camille Maussang
Chase Keller
Philippe Carol
Paul Cosgrove
Annick Marburger
Antonio Santangelo
David Caldwell
Nathan Ouazana
Mihai Ghiduc
Kumar Santhosh
Joshua Saiewitz
Lars K Jensen DONA / Medieblogger
Jade Tamboon
Roland Popp
Alexandra Kaponi Patsis, Papadopoulos, Kaponi & Associates (Attorneys-at-Law)
Andreas Abegg Ancilla Iuris
Daniel Sinnott
Lorenzo Franceschini
Clarisse Pais Instituto Politécnico de Bragança
Michele Liziero Politecnico di Milano
Visa-Valtteri Pimiä
Loris Gianadda
Lisa Martin BioMed Central
Shaye Horwitz
David Salgado
Kim Elmose DONA
Jan Szczepanski Gothenburg University Library, Sweden
Roberto Fuso Nerini xister
Claudia Koltzenburg
Massimiliano Ventimiglia H-art
Maurizio Menghini FASTnet SpA
Eugenio Pelizzari University of Study of Brescia - Italy
Jens Finkhaeuser
assaf udi
Sean Maher
Andreas Gros Max Planck Digital Library
Julien Rothwiller Studio Gobz'Ink
Tobias Schonwetter IP Research Unit, University of Cape Town/ CC South Africa
Franck VIDAL
Klaus Æ. Mogensen Copenhagen Institute for Futures Studies
Andrzej Zaborowski OpenStreetMap
Alessio L.R. Pennasilico
Bayley Jordan
Michael Allred
Nelson Gonçalves
James McNaughton
Erik Visser publicworks
Benjamin Stürmer
Leonardo de Oliveira Martins Universidade de Vigo
Huw Bowen
Paul Walton
Randel Urbano
Florent Cadio
Peter Thomas
Claudia Sarrocco
Ryder Grindle
Chris Mr.
Marcello Piliego
A K M Adam University of Glasgow
Joseph Nadler
Daan Hendriks Humanworkshop
Stéphane Gallay
Geoff Birch
David Veldhuizen
Liam Mann
arthur schmitt Tart2000
Marcos Torres
Michael Gade
Fredrik Graver Den norske filmskolen
Eric Nieudan
Adam Przepiórkowski ICS PAS and University of Warsaw
Xander Ashwell
Richard Hanrahan -
Rivoallan Tristan
David Frier
Carl Howe
François TRAUTMANN François AFD Technologies
Cllr Jason Kitcat Green Councillor, Brighton & Hove City Council
Michael Mazour
Yishay Mor London Knowledge Lab
Amanda Kelly Citizen of Earth
Tim Drage
Xiujie Gu Xi`an Polytechnic University
Michael Peek
Juan Carlos Miguel Universidad del Pais vasco-Euskal Herriko Unibertsitatea
Mark Wexler CNRS
Steven French
Javier Candeira
Marco Asa
Emily Durbin Carnegie Mellon University
Olivier Olm OLSC
pietro greppi consulente per la comunicazione etica
Robert Starnes Noisician Coalition
Shmuel Ross
Brian Breeding
Jeff Spencer
Brian Rajotte
Kamil Kubacki
Bernd Fachinger Denk! Selbst!
Gleizes Jérôme Ecorev'
Tettamanzi Laura Accademia di Brera
Josh Yarham
Jacob Murphy
Luke Brandt
Bonn Aure Dept of Sociology and Anthropology, University of San Carlos
Martin Kretschmer Bournemouth University
Robert MacKenzie American Entropy Productions
Naod Duga Addis Ababa University
Stefan Le Breton
John Kerr
Brad Lapin
Ignacio Calvo Martinez
Per Åkerlund
Peter Lopez
Frédéric Minne
Paul Coleman
Sam Ose
Jennifer Hall
Matthieu Poirot
Dmitri Zdorov
Michel Rigaud
lewis weinberg carleton college
zangle ma
celine keller
Javier Ballesteros
Jonathan Harnum Sol Ut Press
Jacob Suhr Thomsen
Phil South Ideas Digital
Bobbi Cushman
Roberto Escamilla
R. Yeray Castro Segura
Richard Kirk
Frank Swehosky
Juan-Carlos Amengual Universitat Jaume I
Alex Levene
Angelo Palma Soon in Tokyo
Brendan Dahl
Gareth Stack
Matt Soar Concordia University
Duarte Diogo
Luis Louro
John Stone Grinnell College
He Ronin Tele Atlas China
Timothy Spring
Dario Pedicini
Marko Banušić University of Zagreb
Rosanna D'Ortona editor
Joshua Abbott University of Tennessee
Pieter Van den Bosch
Robert Staenke
paula spagnoletti
Alasdair Pearce University of Cambridge
Stephen England
Susana Barbosa
Justin Fisher
Friederike Hampel
Marko Aksentijevic
Leganés Combarro Jesús
Marcos Hernández Blanco
rossi monica laura
Hannah Borowski
Ethan Shalev
A. Michael Froomkin University of Miami School of Law
tao hanhui
Ed Sears
Andrew Ragland
Nicola Busanello
Michael Clayville Dickinson College
Bala Pitchandi
Chris Sharp
Ben McCorkle The Ohio State University
Jonathan Lipkin Ramapo College of New Jersey
Bruno Lebas
Christian RENAUDINEAU APRIL member
Casey Boyle University of South Carolina
Kermit Woodall
Ching-Chen Mao Fu Jen Catholic University, Taiwan
Daniel Evans
Nicholas Vargish self
Armando MENDES
meden ahac
Elizabeth Jane Curtis
Collier Ben
Michael Geist University of Ottawa
Juliet Arata Saint Louis University -Madrid Campus
Marc Loy
Peter Darby
Maria Adamian
Martin Goulet
Els ten Napel
Benito Marcote
Silvia Bisi Politecnico di Torino
Zafeiris Karambasis
ezequiel ardigo
Nevenka Antic Wikimedia Serbia
Gabriel Michael
Łukasz Degórski
Massimo Tallarigo
Irene Cassarino
David Haddad
Javier Perez
Alvaro Carroz
Nicholas Bohm
David Madore
Raúl Díaz Poblete
Carlo Ballerine
Arthur Barstad
Irene Bonzi
Jeroen de Boer
Buczkowski Cody
Thomas Christensen aps
Jonathan Sandoe
Ahern Mitchel
Carlos Alonso
Christian Bök Dept. of English, University of Calgary
J. William Hays UNC Chapel Hill
Luciano Mannucci Maremmasoft
Patrick Kenel Wikimedia CH
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